REC
00:00:00:00

Growth marketing for entertainment.

Every rupee of spend, tracked to a ticket sold, a stream played, a song heard.

A joint venture between Digimaze & DISRPTVE

Views are not tickets.

You spend crores on marketing.
You get back views.

Views 12,40,000 The whole field. Reach you paid for, and can only ever count.
Tickets sold 4,120 The red crest. Named ad, named city, confirmed booking.

Three businesses. One engine.

A full cinema auditorium, audience seated in front of a lit screen
Film

Your trailer runs.

Ticket sold.

We see which ad, in which city, sold which seat. Booked on BookMyShow, confirmed on our dashboard.

A television glowing with static in a dark living room at night
Streaming

Your title launches.

Stream played.

Views, watch time, app opens. The same engine, pointed at the release window.

Reel-to-reel tape machine running in a recording studio
Music

Your track drops.

Song heard.

Plays, saves, video views. Release-day campaigns for labels and distributors.

What you can hire us for.

01

Get seen.

Your trailer, teaser, or track in front of crores of the right people, at the lowest cost per view.

02

Get sales.

Ads that lead straight to a booking, a stream, a play. Every rupee tracked.

03

Get made.

Trailers, cut-downs, posters, social content. If you need the creative, we make it too.

Who we do it for.

Four kinds of client, one engine. Pick the brief that fits and we bring the team that runs it.

  • 01 Producers A theatrical release with a real number attached to it, not a screenshot of impressions.
  • 02 Studios A full slate run out of one room, on one dashboard, against one set of numbers.
  • 03 Streamers A title launch measured in streams, completion rate, and app opens.
  • 04 Music labels A release-day push that shows up in plays, saves, and video views by Monday.

Two specialist companies.
Built to do one thing.

The Performance Half

The paid digital engine.

$13.5MMonthly ad spend managed
250+Performance specialists
4thLargest Meta advertiser in India
The Creative Half

Strategy, creative, and the rooms where entertainment decisions happen.

7Sectors, FMCG to entertainment
End to endStrategy, identity, content, production
HSBC·Deutsche Bank·Powerlook·Parcos·Lilly & Sid·Turtle Dove London·Summit Group·Tata Motors·Flipkart·SuperYou·Punjab Kings·Government of Guyana·Devgn Cinex·Chapter 2·

Trailer to ticket, in three steps.
Every one of them tracked.

A phone held up showing a film's trailer poster, Raja Shivaji, ready to play
Trailer

The ad runs.

Someone scrolling Instagram or YouTube sees your trailer. Targeted by genre, language, and city.

The film's BookMyShow listing open on a phone, rating, showtimes and cinemas visible
Tap

One link.

One tap. They land on your film's BookMyShow page, city selected, showtimes on screen.

A confirmed BookMyShow ticket on a phone, showing the QR code and booking ID
Outcome

Ticket sold.

Booking confirmed. We see exactly which ad, in which city, sold that seat.

Tomorrow's spend moves toward what sold today.

Three relationships make this work.
Most agencies have one.
We have all three.

Top independent agency partner. Direct access, beta features, custom activations.

Which means: your campaign reaches more of the right audience, for less spend.

Direct working relationship with Google India HQ. YouTube infrastructure built for film.

Which means: your trailer gets more views, at a lower cost per view.

A direct relationship that lets us set up ticket-level tracking for any film we run.

Which means: we can prove a ticket got sold because of an ad we ran.

Built by operators.
Not by consultants.

Vatsal Rajgor

Vatsal Rajgor

Founder · Digimaze + Strique AI

Ashish Chowdhry

Ashish Chowdhry

Co-Founder · DISRPTVE

Kaushik Sundararajan

Kaushik Sundararajan

Co-Founder & CEO · DISRPTVE

Kanishq Chhabria

Kanishq Chhabria

Co-Founder & COO · DISRPTVE

Your audience is already out there.
Let's go find them.